Best known for his conceptually based figure paintings, Bruce Adams prompts contextual associations with his work through references to historical paintings. Rather than seeing an individual painting as a discrete work, he visualizes the group as a unified whole where he feels it gains most appreciation.
Amy II, 1998
Amy III, 1998
Shoulder Design, 1996
Tentacles, 1998
Woman with Dog, 1997-98
You can view more of Bruce's work here, as well as the Ghostprint Gallery next month.